As the years progressed, we’ve had a portion of our most loved rappers directing some mainstream identities in their music like how Cassper Nyovest and JR both diverted their internal Tito Mboweni and Bob Mabena individually. Neo Modise, otherwise known as Red Button, applies a comparative course just this time, he goes up against the job of the Dark Knight as he at long last introduces something new. These previous couple of months, Red Button has continuously returned to the scene by discharging new music and in addition teaming up with individual craftsmen. Catch picked up reputation in the diversion through the assistance recently emcee and tutor, PRO, yet it was the previous’ melodious ability which took him off and additionally set him apart from different spitters in the amusement.
In a visit with him, he dismembered the present climate in the music business and furthermore discussed the exercises gained from Linda. He discusses these lessons and in addition a portion of his encounters long on his EP’s opening tune, Kasi Lam, which discovers him handling an instrumental tested from Trey Songz’ Na and he waxes off his melodic raps while repping the South Western Townships. The EP is snackable it might be said that it just houses 8 tunes with the majority of them being created by Button as he additionally gives generation forces to Cadiak for the venture’s reflective title track close by Lore and Ofentic. Catch additionally features the topics of double-crossing, disregard, and additionally the brutal reality of managing losing a friend or family member, which he handles in a melody devoted to PRO (Mlindoms).
A key factor for me in the EP is the validness of the raps and generation. Other highlighted acts, Maraza and Stann, similarly convey the smoke with their commitments to the task and help uplift the substance of Dark Knights. I acknowledge how Red Button never attempted to fit into the now prevalent pattern of making trap music, do indicate love to the new discharge: